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University Library System, University of Pittsburgh en-US Revista Iberoamericana 0034-9631 <br /><strong>Authors who publish with this journal agree to the following terms: </strong><br /><br /><ol><ol><li>The Author retains copyright in the Work, where the term “Work” shall include all digital objects that may result in subsequent electronic publication or distribution.<br /><br /></li><li>Upon acceptance of the Work, the author shall grant to the Publisher the right of first publication of the Work.<br /><br /></li><li>The Author shall grant to the Publisher and its agents the nonexclusive perpetual right and license to publish, archive, and make accessible the Work in whole or in part in all forms of media now or hereafter known under a <a href="" target="_blank">Creative Commons 4.0 License (Attribution-Noncommercial-No Derivative Works)</a>, or its equivalent, which, for the avoidance of doubt, allows others to copy, distribute, and transmit the Work under the following conditions:<ol style="list-style-type: lower-alpha;"><li>Attribution—other users must attribute the Work in the manner specified by the author as indicated on the journal Web site;</li><li>Noncommercial—other users (including Publisher) may not use this Work for commercial purposes;</li><li>No Derivative Works—other users (including Publisher) may not alter, transform, or build upon this Work,with the understanding that any of the above conditions can be waived with permission from the Author and that where the Work or any of its elements is in the public domain under applicable law, that status is in no way affected by the license. <br /><br /></li></ol></li><li>The Author is able to enter into separate, additional contractual arrangements for the nonexclusive distribution of the journal's published version of the Work (e.g., post it to an institutional repository or publish it in a book), as long as there is provided in the document an acknowledgement of its initial publication in this journal.<br /><br /></li><li>Authors are permitted and encouraged to post online a pre-publication <em>manuscript</em> (but not the Publisher’s final formatted PDF version of the Work) in institutional repositories or on their Websites prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work. 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RESEÑAS N/A Erika Arredondo Copyright (c) 2022 Erika Arredondo 2022-04-26 2022-04-26 303 304 10.5195/reviberoamer.2022.8182 INICIO Y CONTINUIDAD N/A Wilfredo Hernández Copyright (c) 2022 Wilfredo Hernández 2022-04-26 2022-04-26 305 306 10.5195/reviberoamer.2022.8183 Jania Kudaibergen y Marco Thomas Bosshard (eds.). ¿Nuevas formas de literatura subalterna? Las editoriales cartoneras como plataforma para las voces marginadas. N/A Héctor Fernández-L'Hoeste Copyright (c) 2022 Héctor Fernández-L'Hoeste 2022-04-26 2022-04-26 307 310 10.5195/reviberoamer.2022.8184 Lawrence La Fountain-Stokes. Translocas. The Politics of Puerto Rican Drag and Trans Performance. N/A Wilfredo Hernández Copyright (c) 2022 Wilfredo Hernández 2022-04-26 2022-04-26 310 312 10.5195/reviberoamer.2022.8185 Diana Arbaiza. The Spirit of Hispanism: Commerce, Culture, and Identity across the Atlantic, 1875-1936. N/A Conxita Domènech Copyright (c) 2022 Conxita Domènech 2022-04-26 2022-04-26 313 315 10.5195/reviberoamer.2022.8186 María del Carmen Caña Jiménez. Desafíos, diferencias y deformaciones de la ciudadanía: Mutantes y monstruos en la producción cultural latinoamericana reciente. N/A Gabriela Muniz Copyright (c) 2022 Gabriela Muniz 2022-04-26 2022-04-26 315 318 10.5195/reviberoamer.2022.8187 I. ESTUDIOS N/A Erika Arredondo Copyright (c) 2022 Erika Arredondo 2022-04-26 2022-04-26 13 14 10.5195/reviberoamer.2022.8160 EL ELEMENTO DEL CRIMEN: NOTAS SOBRE RACISMO, FOTOGRAFÍA CRIMINALISTA Y CINE DE FICCIÓN EN CUBA N/A Alberto Sosa Cabanas Copyright (c) 2022 Alberto Sosa Cabanas 2022-04-26 2022-04-26 15 32 10.5195/reviberoamer.2022.8161 LA DIÁSPORA AFRICANA Y LA DOBLE CONSCIENCIA SEGÚN PAUL GILROY Y MANUEL ZAPATA OLIVELLA N/A John T. Maddox IV Copyright (c) 2022 John T. Maddox IV 2022-04-26 2022-04-26 33 48 10.5195/reviberoamer.2022.8162 “DARSE A VER”: ESCRITOR LATINOAMERICANO Y MEDIOS DE COMUNICACIÓN MASIVA. CASO DE MARTÍN KOHAN N/A Ewa Kobyłecka-Piwońska Copyright (c) 2022 Ewa Koby?ecka-Piwo?ska 2022-04-26 2022-04-26 49 68 10.5195/reviberoamer.2022.8163 FANTASMAS DE FRUSTRACIÓN. EL INTELECTUAL ACADÉMICO EN DOS NOVELAS DE EDMUNDO PAZ SOLDÁN N/A Nina Pluta Copyright (c) 2022 Nina Pluta 2022-04-26 2022-04-26 69 90 10.5195/reviberoamer.2022.8164 O TEMPO QUE JÁ SE FOI ASPECTOS DE MEMORIALISMO EM TORQUATO NETO, GULLAR E DRUMMOND N/A Fillipe Augusto Galeti Mauro Copyright (c) 2022 Fillipe Augusto Galeti Mauro 2022-04-26 2022-04-26 91 108 10.5195/reviberoamer.2022.8165 AMULETO Y EL PODER DEL TESTIMONIO EN EL DISCURSO DE AUXILIO LACOUTURE N/A Yasmina Vallejos Copyright (c) 2022 Yasmina Vallejos 2022-04-26 2022-04-26 109 126 10.5195/reviberoamer.2022.8166 LA VOZ DE AUXILIO: LAS POTENCIALIDADES DISIDENTES DE LA NARRACIÓN ORAL EN AMULETO DE ROBERTO BOLAÑO N/A Valeria Villalobos-Guízar Copyright (c) 2022 Valeria Villalobos-Guízar 2022-04-26 2022-04-26 127 144 10.5195/reviberoamer.2022.8181 LA FUNDACIÓN CULTURAL DE UN NUEVO ESPACIO EPISTEMOLÓGICO: LOS ESCRITOS ENCICLOPÉDICOS DEL CONVERSO IBERO-PERUANO ANTONIO LEÓN PINELO (1590-1660) N/A Cynthia Gabbay Copyright (c) 2022 Cynthia Gabbay 2022-04-26 2022-04-26 145 164 10.5195/reviberoamer.2022.8168 PERPLEJIDAD Y RESOLUCIÓN NEOCOLONIALES: ARGENTINA Y LAS INTIMIDADES (1929) DEL VIAJERO ORTEGA N/A Lucía García-Santana Copyright (c) 2022 Lucía García-Santana 2022-04-26 2022-04-26 165 186 10.5195/reviberoamer.2022.8169 O TEXTO E A FITA: TRADUÇÃO E TRAIÇÃO EM CORAÇÕES SUJOS (2001 E 2011) N/A Clara Carolyne Fachini Zanirato Copyright (c) 2022 Clara Carolyne Fachini Zanirato 2022-04-26 2022-04-26 187 206 10.5195/reviberoamer.2022.8170 GUILLERMO SUCRE: CRÍTICA, CONCIENCIA DEL LENGUAJE Y PARTI-PRIS N/A Marcelo Pellegrini Copyright (c) 2022 Marcelo Pellegrini 2022-04-26 2022-04-26 207 224 10.5195/reviberoamer.2022.8171 UN GRAND GUIGNOL TOTALITARIO. VIOLENCIA, ALEGORÍA Y EQUÍVOCO EN TRES TRISTES TIGRES N/A Leonardo Rodríguez Copyright (c) 2022 Leonardo Rodríguez 2022-04-26 2022-04-26 225 244 10.5195/reviberoamer.2022.8172 VIOLENCIA DE GÉNERO EN NOVELAS SENTIMENTALES ARGENTINAS DEL SIGLO XIX N/A Natalia Crespo Copyright (c) 2022 Natalia Crespo 2022-04-26 2022-04-26 245 266 10.5195/reviberoamer.2022.8173 RECUPERACIÓN DEL ESPACIO EDÉNICO EN “ONCE DE SEPTIEMBRE” DE CRISTINA PERI ROSSI N/a Parizad Dejbord-Sawan Copyright (c) 2022 Parizad Dejbord-Sawan 2022-04-26 2022-04-26 267 284 10.5195/reviberoamer.2022.8174 “TIERRA DEL CORAZÓN”: MODELIZACIONES DE VIÑA DEL MAR EN “LA MAJA Y EL RUISEÑOR” N/A Alexis Candia-Cáceres Lucía Guerra Cunningham Copyright (c) 2022 Alexis Candia-Cáceres, Lucía Guerra Cunningham 2022-04-26 2022-04-26 285 302 10.5195/reviberoamer.2022.8175 III. NORMAS ESTILÍSTICAS N/A Erika Arredondo Copyright (c) 2022 Erika Arredondo 2022-04-26 2022-04-26 319 320 10.5195/reviberoamer.2022.8176 NORMAS PARA LA PUBLICACIÓN DE ARTÍCULOS N/A Erika Arredondo Copyright (c) 2022 Erika Arredondo 2022-04-26 2022-04-26 321 324 10.5195/reviberoamer.2022.8177 NORMAS PARA LA PUBLICACIÓN DE RESEÑAS N/A Erika Arredondo Copyright (c) 2022 Erika Arredondo 2022-04-26 2022-04-26 325 326 10.5195/reviberoamer.2022.8178