Revista Iberoamericana
https://revista-iberoamericana.pitt.edu/ojs/Iberoamericana
Revista Iberoamericana is published by Liverpool University Press from 2023. Please visit <a href="https://nam12.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.liverpooluniversitypress.co.uk%2Fjournal%2Frevista&data=05%7C01%7Clbcollister%40pitt.edu%7C5103a3394b3b4c1c0c3208db00779f7d%7C9ef9f489e0a04eeb87cc3a526112fd0d%7C1%7C0%7C638104286029484888%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&sdata=OloLY%2F0z05e84ppxUW%2BvD8xhPFWbmnESiDWTMh071Ys%3D&reserved=0">https://www.liverpooluniversitypress.co.uk/journal/revista</a> for current content.University Library System, University of Pittsburghen-USRevista Iberoamericana0034-9631<br /><strong>Authors who publish with this journal agree to the following terms: </strong><br /><br /><ol><ol><li>The Author retains copyright in the Work, where the term “Work” shall include all digital objects that may result in subsequent electronic publication or distribution.<br /><br /></li><li>Upon acceptance of the Work, the author shall grant to the Publisher the right of first publication of the Work.<br /><br /></li><li>The Author shall grant to the Publisher and its agents the nonexclusive perpetual right and license to publish, archive, and make accessible the Work in whole or in part in all forms of media now or hereafter known under a <a href="https://creativecommons.org/licenses/by-nc-nd/4.0/" target="_blank">Creative Commons 4.0 License (Attribution-Noncommercial-No Derivative Works)</a>, or its equivalent, which, for the avoidance of doubt, allows others to copy, distribute, and transmit the Work under the following conditions:<ol style="list-style-type: lower-alpha;"><li>Attribution—other users must attribute the Work in the manner specified by the author as indicated on the journal Web site;</li><li>Noncommercial—other users (including Publisher) may not use this Work for commercial purposes;</li><li>No Derivative Works—other users (including Publisher) may not alter, transform, or build upon this Work,with the understanding that any of the above conditions can be waived with permission from the Author and that where the Work or any of its elements is in the public domain under applicable law, that status is in no way affected by the license. <br /><br /></li></ol></li><li>The Author is able to enter into separate, additional contractual arrangements for the nonexclusive distribution of the journal's published version of the Work (e.g., post it to an institutional repository or publish it in a book), as long as there is provided in the document an acknowledgement of its initial publication in this journal.<br /><br /></li><li>Authors are permitted and encouraged to post online a pre-publication <em>manuscript</em> (but not the Publisher’s final formatted PDF version of the Work) in institutional repositories or on their Websites prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work. Any such posting made before acceptance and publication of the Work shall be updated upon publication to include a reference to the Publisher-assigned DOI (Digital Object Identifier) and a link to the online abstract for the final published Work in the Journal.<br /><br /></li><li>Upon Publisher’s request, the Author agrees to furnish promptly to Publisher, at the Author’s own expense, written evidence of the permissions, licenses, and consents for use of third-party material included within the Work, except as determined by Publisher to be covered by the principles of Fair Use.<br /><br /></li><li>The Author represents and warrants that:<br /><br /></li><ol style="list-style-type: lower-alpha; padding-left: 40px;"><li>the Work is the Author’s original work;</li><li>the Author has not transferred, and will not transfer, exclusive rights in the Work to any third party;</li><li>the Work is not pending review or under consideration by another publisher;</li><li>the Work has not previously been published;</li><li>the Work contains no misrepresentation or infringement of the Work or property of other authors or third parties; and</li><li>the Work contains no libel, invasion of privacy, or other unlawful matter.<br /> </li></ol><li>The Author agrees to indemnify and hold Publisher harmless from Author’s breach of the representations and warranties contained in Paragraph 6 above, as well as any claim or proceeding relating to Publisher’s use and publication of any content contained in the Work, including third-party content.</li></ol></ol>LIBROS RECIBIDOS
https://revista-iberoamericana.pitt.edu/ojs/Iberoamericana/article/view/8179
N/AErika Arredondo
Copyright (c) 2022 Erika Arredondo
2022-04-262022-04-2632732810.5195/reviberoamer.2022.8179PRIMERAS PÁGINAS
https://revista-iberoamericana.pitt.edu/ojs/Iberoamericana/article/view/8158
N/AErika Arredondo
Copyright (c) 2022 Erika Arredondo
2022-04-262022-04-2611010.5195/reviberoamer.2022.8158SUMARIO
https://revista-iberoamericana.pitt.edu/ojs/Iberoamericana/article/view/8180
N/AErika Arredondo
Copyright (c) 2022 Erika Arredondo
2022-04-262022-04-26111210.5195/reviberoamer.2022.8180II. RESEÑAS
https://revista-iberoamericana.pitt.edu/ojs/Iberoamericana/article/view/8182
N/AErika Arredondo
Copyright (c) 2022 Erika Arredondo
2022-04-262022-04-2630330410.5195/reviberoamer.2022.8182INICIO Y CONTINUIDAD
https://revista-iberoamericana.pitt.edu/ojs/Iberoamericana/article/view/8183
N/AWilfredo Hernández
Copyright (c) 2022 Wilfredo Hernández
2022-04-262022-04-2630530610.5195/reviberoamer.2022.8183Jania Kudaibergen y Marco Thomas Bosshard (eds.). ¿Nuevas formas de literatura subalterna? Las editoriales cartoneras como plataforma para las voces marginadas.
https://revista-iberoamericana.pitt.edu/ojs/Iberoamericana/article/view/8184
N/AHéctor Fernández-L'Hoeste
Copyright (c) 2022 Héctor Fernández-L'Hoeste
2022-04-262022-04-2630731010.5195/reviberoamer.2022.8184Lawrence La Fountain-Stokes. Translocas. The Politics of Puerto Rican Drag and Trans Performance.
https://revista-iberoamericana.pitt.edu/ojs/Iberoamericana/article/view/8185
N/AWilfredo Hernández
Copyright (c) 2022 Wilfredo Hernández
2022-04-262022-04-2631031210.5195/reviberoamer.2022.8185Diana Arbaiza. The Spirit of Hispanism: Commerce, Culture, and Identity across the Atlantic, 1875-1936.
https://revista-iberoamericana.pitt.edu/ojs/Iberoamericana/article/view/8186
N/AConxita Domènech
Copyright (c) 2022 Conxita Domènech
2022-04-262022-04-2631331510.5195/reviberoamer.2022.8186María del Carmen Caña Jiménez. Desafíos, diferencias y deformaciones de la ciudadanía: Mutantes y monstruos en la producción cultural latinoamericana reciente.
https://revista-iberoamericana.pitt.edu/ojs/Iberoamericana/article/view/8187
N/AGabriela Muniz
Copyright (c) 2022 Gabriela Muniz
2022-04-262022-04-2631531810.5195/reviberoamer.2022.8187I. ESTUDIOS
https://revista-iberoamericana.pitt.edu/ojs/Iberoamericana/article/view/8160
N/AErika Arredondo
Copyright (c) 2022 Erika Arredondo
2022-04-262022-04-26131410.5195/reviberoamer.2022.8160EL ELEMENTO DEL CRIMEN: NOTAS SOBRE RACISMO, FOTOGRAFÍA CRIMINALISTA Y CINE DE FICCIÓN EN CUBA
https://revista-iberoamericana.pitt.edu/ojs/Iberoamericana/article/view/8161
N/AAlberto Sosa Cabanas
Copyright (c) 2022 Alberto Sosa Cabanas
2022-04-262022-04-26153210.5195/reviberoamer.2022.8161LA DIÁSPORA AFRICANA Y LA DOBLE CONSCIENCIA SEGÚN PAUL GILROY Y MANUEL ZAPATA OLIVELLA
https://revista-iberoamericana.pitt.edu/ojs/Iberoamericana/article/view/8162
N/AJohn T. Maddox IV
Copyright (c) 2022 John T. Maddox IV
2022-04-262022-04-26334810.5195/reviberoamer.2022.8162“DARSE A VER”: ESCRITOR LATINOAMERICANO Y MEDIOS DE COMUNICACIÓN MASIVA. CASO DE MARTÍN KOHAN
https://revista-iberoamericana.pitt.edu/ojs/Iberoamericana/article/view/8163
N/AEwa Kobyłecka-Piwońska
Copyright (c) 2022 Ewa Koby?ecka-Piwo?ska
2022-04-262022-04-26496810.5195/reviberoamer.2022.8163FANTASMAS DE FRUSTRACIÓN. EL INTELECTUAL ACADÉMICO EN DOS NOVELAS DE EDMUNDO PAZ SOLDÁN
https://revista-iberoamericana.pitt.edu/ojs/Iberoamericana/article/view/8164
N/ANina Pluta
Copyright (c) 2022 Nina Pluta
2022-04-262022-04-26699010.5195/reviberoamer.2022.8164O TEMPO QUE JÁ SE FOI ASPECTOS DE MEMORIALISMO EM TORQUATO NETO, GULLAR E DRUMMOND
https://revista-iberoamericana.pitt.edu/ojs/Iberoamericana/article/view/8165
N/AFillipe Augusto Galeti Mauro
Copyright (c) 2022 Fillipe Augusto Galeti Mauro
2022-04-262022-04-269110810.5195/reviberoamer.2022.8165AMULETO Y EL PODER DEL TESTIMONIO EN EL DISCURSO DE AUXILIO LACOUTURE
https://revista-iberoamericana.pitt.edu/ojs/Iberoamericana/article/view/8166
N/AYasmina Vallejos
Copyright (c) 2022 Yasmina Vallejos
2022-04-262022-04-2610912610.5195/reviberoamer.2022.8166LA VOZ DE AUXILIO: LAS POTENCIALIDADES DISIDENTES DE LA NARRACIÓN ORAL EN AMULETO DE ROBERTO BOLAÑO
https://revista-iberoamericana.pitt.edu/ojs/Iberoamericana/article/view/8181
N/AValeria Villalobos-Guízar
Copyright (c) 2022 Valeria Villalobos-Guízar
2022-04-262022-04-2612714410.5195/reviberoamer.2022.8181LA FUNDACIÓN CULTURAL DE UN NUEVO ESPACIO EPISTEMOLÓGICO: LOS ESCRITOS ENCICLOPÉDICOS DEL CONVERSO IBERO-PERUANO ANTONIO LEÓN PINELO (1590-1660)
https://revista-iberoamericana.pitt.edu/ojs/Iberoamericana/article/view/8168
N/ACynthia Gabbay
Copyright (c) 2022 Cynthia Gabbay
2022-04-262022-04-2614516410.5195/reviberoamer.2022.8168PERPLEJIDAD Y RESOLUCIÓN NEOCOLONIALES: ARGENTINA Y LAS INTIMIDADES (1929) DEL VIAJERO ORTEGA
https://revista-iberoamericana.pitt.edu/ojs/Iberoamericana/article/view/8169
N/ALucía García-Santana
Copyright (c) 2022 Lucía García-Santana
2022-04-262022-04-2616518610.5195/reviberoamer.2022.8169O TEXTO E A FITA: TRADUÇÃO E TRAIÇÃO EM CORAÇÕES SUJOS (2001 E 2011)
https://revista-iberoamericana.pitt.edu/ojs/Iberoamericana/article/view/8170
N/AClara Carolyne Fachini Zanirato
Copyright (c) 2022 Clara Carolyne Fachini Zanirato
2022-04-262022-04-2618720610.5195/reviberoamer.2022.8170GUILLERMO SUCRE: CRÍTICA, CONCIENCIA DEL LENGUAJE Y PARTI-PRIS
https://revista-iberoamericana.pitt.edu/ojs/Iberoamericana/article/view/8171
N/AMarcelo Pellegrini
Copyright (c) 2022 Marcelo Pellegrini
2022-04-262022-04-2620722410.5195/reviberoamer.2022.8171UN GRAND GUIGNOL TOTALITARIO. VIOLENCIA, ALEGORÍA Y EQUÍVOCO EN TRES TRISTES TIGRES
https://revista-iberoamericana.pitt.edu/ojs/Iberoamericana/article/view/8172
N/ALeonardo Rodríguez
Copyright (c) 2022 Leonardo Rodríguez
2022-04-262022-04-2622524410.5195/reviberoamer.2022.8172VIOLENCIA DE GÉNERO EN NOVELAS SENTIMENTALES ARGENTINAS DEL SIGLO XIX
https://revista-iberoamericana.pitt.edu/ojs/Iberoamericana/article/view/8173
N/ANatalia Crespo
Copyright (c) 2022 Natalia Crespo
2022-04-262022-04-2624526610.5195/reviberoamer.2022.8173RECUPERACIÓN DEL ESPACIO EDÉNICO EN “ONCE DE SEPTIEMBRE” DE CRISTINA PERI ROSSI
https://revista-iberoamericana.pitt.edu/ojs/Iberoamericana/article/view/8174
N/aParizad Dejbord-Sawan
Copyright (c) 2022 Parizad Dejbord-Sawan
2022-04-262022-04-2626728410.5195/reviberoamer.2022.8174“TIERRA DEL CORAZÓN”: MODELIZACIONES DE VIÑA DEL MAR EN “LA MAJA Y EL RUISEÑOR”
https://revista-iberoamericana.pitt.edu/ojs/Iberoamericana/article/view/8175
N/AAlexis Candia-CáceresLucía Guerra Cunningham
Copyright (c) 2022 Alexis Candia-Cáceres, Lucía Guerra Cunningham
2022-04-262022-04-2628530210.5195/reviberoamer.2022.8175III. NORMAS ESTILÍSTICAS
https://revista-iberoamericana.pitt.edu/ojs/Iberoamericana/article/view/8176
N/AErika Arredondo
Copyright (c) 2022 Erika Arredondo
2022-04-262022-04-2631932010.5195/reviberoamer.2022.8176NORMAS PARA LA PUBLICACIÓN DE ARTÍCULOS
https://revista-iberoamericana.pitt.edu/ojs/Iberoamericana/article/view/8177
N/AErika Arredondo
Copyright (c) 2022 Erika Arredondo
2022-04-262022-04-2632132410.5195/reviberoamer.2022.8177NORMAS PARA LA PUBLICACIÓN DE RESEÑAS
https://revista-iberoamericana.pitt.edu/ojs/Iberoamericana/article/view/8178
N/AErika Arredondo
Copyright (c) 2022 Erika Arredondo
2022-04-262022-04-2632532610.5195/reviberoamer.2022.8178